Love Left the Masquerade: Peter Medak's Cinema of Pretenders (2025)
Overview
Peter Medak's films toy with notions of cosplay, masquerade, gamesmanship, and how power and permission structures figure into these human diversions. His filmography includes The Ruling Class (1972), The Changeling (1980), A Day in the Death of Joe Egg (1971), The Krays (1990), and others, all which capitalize on these ideas. Sanity is fragile, ephemeral, and suspended from a very thin tether in all his films. This piece gets to the bottom of why Medak centers his work on such themes, and why they carry biographical weight for him personally.
Cast
Peter Medak
Self
Daniel Kremer
Narrator
Peter O'Toole
Archive
Glenda Jackson
Archive
Alan Bates
Archive
Peter Sellers
ArchiveRecommendations
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty
The Class of ‘92
Spider-Man: All Roads Lead to No Way Home
In Search of the Last Action Heroes
Halloween: 25 Years of Terror
Room 237
A Decade Under the Influence
The Summers of It - Chapter Two: It Ends
Directed by John Ford
Public Speaking
John Wick Chapter 2: Wick-vizzed
Naqoyqatsi
Seven Up!
Marvel's Behind the Mask
The U.S. vs. John Lennon
Avatar: The Deep Dive - A Special Edition of 20/20
Transcendent Man
John Candy: I Like Me
Casting By
Champs